Escolarização da música: por uma potência musical ativa

Abstract

The research is linked to the line of Education and Arts from the Postgraduate Program in Education at Federal University of Santa Maria and was developed by the research group FAPEM - Formation, Action and Research in Music Education. It aims to understand how music is educated and how the school movement influences that education in relation to empower the musical act of the students. It was motivated by a personal experience search for schooling processes that would increase the power of the musical act of basic education students from a public school. Apart from personal experience, the research was also developed in other full-time elementary school from January to June 2015, making it as empirical field for the construction of data. It is organized in four parts. The first outlines the methodological construction supported by guidelines linked to qualitative approach, bringing the empirical research field and pointing schooling of music as a phenomenon of real life, interpreted from a hermeneutic orientation (MUCCHIELLI 2004). The second presents conceptual bases of education from Masschelein and Simons (2014); School from Fernandes (2013), Masschelein and Simons (2014), Coêlho (2013; 2013b), among others, in addition to Spinoza s thinking that leads to the concept of power. The third presents the historical process of constitution of the School and the inclusion of music in this process, focusing on the meeting between music and Brazilian school from the legal guidelines that have subsidized the school musical education over the years. The fourth part elucidates the personal education experience of music that led to the proposition of this research and reports the construction data, observations and analyzes undertaken through empirical field. Also in the latter part is the analysis of the two experiences - the personal and the empirical field - from the concepts presented in the second part. It is based on the thesis that music, when educated, loses and regains power in function of the contexts and intentions coming from the school movement proposed by individuals who had constituted it. They is an interpretation of the fact that when the school tries to meet the expectations of a busy school from sense and organizational assumptions (COELHO, 2013, 2013b), the music loses power in order not to create opportunities to students empower the musical act.