Processos híbridos na poética de Sandra Rey: um estudo a partir de soft dreams e desdobramentos da paisagem

Abstract

This research aims to approach to contemporary art through a theoretical study of the poetic of Sandra Rey, an analysis of hers creative process and how hybridization occurs in hers works. The artist's works are made based on images taken in situations of displacement by certain landscapes and scenes of everyday life. Hers works are the result of photographic images that she prepares in the digital environment, in order to transform the models extracted from reality, transforming them into experimental structures of meaning. In this creative context, it is believed that different ways to intercross the visual arts with digital technologies highlight themselves, which enables an approach to the hybrid processes in contemporary art. The dissertation is divided into four chapters: the first discuss the career of the artist Sandra Rey and the insertion of hers creative process in the field of art and technology, the second establish a dialogue between the concepts of hybridization defended by different authors and a review of some works of Sandra Rey, in order to understand the issues surrounding the hybridization that guide the research, the third chapter presents an approach to photography and its relations to the analog image and digital image, as well as their contributions to the hybrid processes in contemporary art.