O vernáculo brasileiro na contemporaneidade

Abstract

The mobilization of communities, in actuality, is reinventing itself on account of the particular challenges (Dufour, 2005). The globalization process is an example, since overlaps with the geopolitical boundaries consolidated into another time, while the advance of capitalism pacifieth subjects. Thus, the stabilization of cultural memory is called into question because all precedence is affected by this rearrangement that causes the fragmentation of the subject. It follows a tension between the language and the definition of the vernacular it established. Faced with this issue, this work has as its theme the fact that documenting the vernacular Brazilian consist of a double challenge in contemporary society: 1) required the constant redefinition of contemporary accentuates individuality to the detriment of collective patterns, 2) the Brazilian vernacular sense is connected the Portuguese language, or a language, a priori, of the other. The aim is to problematize the notion of vernacular Brazilian today. The theoretical framework, in turn, comprises the processes of subjectivity in the history of Western culture (Amorim, 2007) and, consequently, the historicizing of Brazil and discusses the concepts of language, writing, and memory (BAKHTIN / VOLOCHINOV, 1999; ORLANDI, 2009; GUIMARÃES, 2005). The research is done from the analysis dialogic ideological-authorial of Eles eram muitos cavalos, a contemporary narrative, of the author Luiz Ruffato, that by bringing the clipping of life that makes up the largest Brazilian city, discuss the tension between subject and language constituting space research relevant to the issue of conflict of Brazilian vernacular today. The novel deals with the subject in contemporary Brazil, built in conflict between the fragmentation and the possible identity vernacular caught it. The final challenge of the work is to distinguish on what grounds, somehow, the plurality documented in the text can point to a constitution unit.