UMA FOTÓGRAFA EM CENA: Um olhar feminista no registro de espetáculos

Abstract

This research aimed to study performance photography from a feminist perspective as a device for valuing the history and memory of women in the theater scene, as well as investigating how scenic records contribute to the construction of a less feminine representation. stereotypical and sexist in the theater scene and in society. In this way, qualitative methodological procedures were used as an approach for the analysis and reflection of scenic recordings written by me of the monologues “Rebentação”, “A flor na pele”, “Petra” and “Cinco Gestos de Amor”, with conception and performance of four female artists and academics from the Performing Arts course at UFSM. As a result of this practical research, the Exhibition “Box of Memories: Women, Theater and Affects” was held, which provided a space to perpetuate a broader way of seeing women and the roles they can occupy in society and the arts. And as a theoretical result of this research, the Course Conclusion work is presented: A photographer on stage: A feminist look at recording shows.