Luminescências singulares: influências no audiovisual ao vivo

Abstract

This Master's Dissertation investigates, in the field of Art and Technology, the process of capturing variables in audiovisual interactions, in order to determine strategies capable of gauging singularities to a videographic aesthetics. Developing through this experience a personal practice governed by the term "influence", next to the audiovisual live. Aiming at this, to describe the process of opening these channels of influence employed in the artistic practice of the image projected as performance. The report is structured in three chapters that accompany the method of opening this data in the materiality towards the digital in a parametric way. The first chapter, in preliminary conditions, proposes a chronology of the moving image in search of constituent elements of the practices related to the live audiovisual. It follows in the following chapters, listing the action of the body next to the creative codification, configuring this body as luminescent variable in the propositive action, through the investigation of the contemporary dance movement. As a consequence of the action of the body, this search for ways to expand the possibilities of obtaining channels of influence with other sources, providing a reflection on the performance process in the present time. In this sense, a reflection on the temporal condition of the live performance and its perceptions regarding the time of each observer happens conceptually. Finally, the study seeks to list conditions with the potential to obtain new channels of influence, through the humanities expressed in social networks, in an online environment, for example. As a result it is possible to identify in the experience a glimpse of the moment at which live audiovisual is in the spectrum of contemporary art with technological bias