Uma poética entre a escultura e os quadrinhos

Abstract

This dissertation is the partial prerequisite of a Visual Arts research which investigates narrative possibilities on movements between two artistic languages, sculpture and comics. The text initially approaches the paths which led to this research: the emphasis on clay s materiality and on the action of chance on modeling and the theme of grotesque came from there. This research s main points are the use of sculptures as reference to a two-dimensional creation and of comics narrative resources to the three-dimensional creation. Through these experiences, theoretical reflections about narratives in art, about Deleuze s repetition and also about micro-narratives and communicational noise are shown. Finally, the present research is founded on works instauration processes, their procedures and adopted rules, and also through some of their thematic unfoldings and their insertions into editorial, academic and artistic contexts.