Tiras Radicci - o despertar de sentidos de modernidade e pós-modernidade através das estratégias criadas pela teoria da imagem

Abstract

The work consists in analyzing Radicci’s strips, from the cartoonist Iotti, and has as the main goal to verify that culture shock in the parent-child relationship is visually represented, in strips, in the context of modernity / post modernity through plastic significations. The specific objectives are to investigate the meanings produced through the image strategies, study how the subject settler is represented, analyze how the alternative youth is represented. The study has been prepared in three chapters, the first referring to the empirical object explanation, an overview of the emergence and evolution of comics in Brazil and a definition of image. Chapter II is devoted to theoretical body of work in which they are addressed, first, the process of creating felt by Peruzzolo (2015), the definition of modern and postmodern and, finally, Theory of Image. The third chapter is assigned to the analysis of strips that are divided among the following groups senses: generational conflict, ideological conflict, conflict between the new and the old and conflict between country and city. The methodology uses the deductive method and works with qualitative research of images that are investigated by the Theory of Villafañe Picture (2006). The senses awaken give subsidy for the semantic analysis by the authors Kumar (2006), Hall (2011), Bauman (1999) and Giddens (2002) regarding aspects of Cultural Studies.