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Três estudos de concerto para violão de Radamés Gnattali: uma análise interpretativa através das diretrizes de Jan Larue
(Universidade Federal de Santa Maria, 2019-12-13)
The present research approaches the 3 Concert Studies for Guitar by Radamés Gnattali (19061988), namely Toccata em Ritmo de Samba n.1, Dansa Brasileira e Toccata em Ritmo de Samba n.2, composed, respectively, in 1950, 1958 ...
Tempo e dinâmica na Usher Waltz do violonistacompositor Nikita Koshkin: um estudo comparativo entre gravações
(Universidade Federal de Santa Maria, 2019-12-12)
This research consists of an investigation of the work Usher Waltz, written in 1984 by the
guitarist-composer Nikita Koshkin (1956) and published in 1989 (Editions Orphée) and 1993
(Edition Margaux). The work was inspired ...
A Sonata Vox Gabrieli de Stjepan Šulek: uma análise comparativa entre as interpretações de Joseph Alessi e Alain Trudel
(Universidade Federal de Santa Maria, 2019-12-12)
The present work makes a comparative analysis between two interpretations of Sonata Vox Gabrieli, composed by Stjepan Šulek (1914-1986) in 1973 for trombone and piano. The
interpretations of trombonists Joseph Alessi and ...
Uma experiência de aprendizagem autodirigida coletiva com as lições workshops da revista Guitar Player
(Universidade Federal de Santa Maria, 2019-12-13)
This work aims to explore the musical contents of the Workshop columns of the North
American magazine Guitar Player, from 1990-1995, when the magazine was the most
significant reference for guitarists looking for information ...
Contextos do violão missioneiro a partir de transcrições musicais de Noel Guarany
(Universidade Federal de Santa Maria, 2019-12-13)
This research was conducted along the course Specialization in Music of the XX and XXI Century: Performance and Pedagogy (UFSM). Its main theme is Missionary Musicality. The object of study consists of the musical work of ...
Por dentro do fole: narrativas de acordeonistas sobre o acordeon de concerto no Brasil
(Universidade Federal de Santa Maria, 2019-12-12)
This work aims to deal with the classical accordion in Brazil, but without neglecting its
intrinsic relationship with popular music, and to do so, seeks to delineate in time and
space some of the characters and the paths ...