Pele imagética: fronteiras híbridas em arte e tecnologia

Abstract

This project brings a poetic visual proposal aimed at creating hybrid objects by projecting digital images on the leather surface. Images of municipal waste were photographed and further processed in graphics software for projection on the leather surface. The premise of the study is the exploration of practical and theoretical concepts about the image superimposed forming a hybrid object consisting of photographs of urban waste-garbage projected into the leather. The tension generated between the image and the support act as borders ,they overlaps without aggregate. These represent the limit, as this membrane skin surrounding the body, border between interior and exterior through which we communicate with the world. The technology in the creative process, with proceedings scanning, processing and projection of images, rebuilds a new hybrid skin,a border, not associated with non artistic materials as the leather. These proceedings changing crossings between the formal and conceptual aspects, dissolving the specificities tensions and installing materials contamination in view of the disparity of physical evidence (natural) and imagery. The study is based on different authors, among them Couchot, Santaella, Venturelli, Certeau, Aumont. It addresses concepts of boundaries, hybridization, image, ownership, skin, consumption, art and technology and its problematization in the project developed.