Do artesanal ao industrial: as possibilidades de releitura dos têxteis da etnia Leta no desenho de estamparia para jogos de cama casal

Abstract

This monograph proposes a research study on textile pattern for couple bed sheets which is divided in four lines: Dieva Kruts, Rakst, Mãra Zimes e Saule, all of them presenting a geometrical feature. For its execution in Review Bibliographic investigated the following subjects: I – The Leta Ethnic: from Latvia to Ijuí; II - Cultural aspects of the handicraft; III – The Textile Design. In Methodology, the creative process based on the seven steps of the methodology of Gomes, who are the Identification, the Preparation, the Incubation, the heating, the Enlightenment, the Development, the Verification.The rationale for the theme choice is the relevant contribution of this culture for the formation of the county. According to what was verified, the variety of embroidery, drawings and shapes presented in the handicraft and typical clothes offers a rich resource for the creation of textile pattern design. The important contribution this research brings to the field of surface design is the fact that it is developed in a theoretical/cultural framework which searches for references in a given determined culture in order to create an option textile for commercial use. The whole development of process was based on the embroidery technique, an idea which was originated from the own framework and consists in making interpretations and several readings of the shapes. Thus, it was possible to obtain textures and different visual results. Each line is formed by a combination of shapes and colors. The line Dieve Kruts has rapport of double infinite whose textile stamp is repeated in every direction, presenting a combination of colors which is harmonious among them and in relation to the background color. Differently the line Rakst has a combination of values from a same color in an attempt to suit other preferences. In these two lines, it was applied a small embroidery in the sheet-border, as a way of proposing a modalization to the textile pattern design. In the line Mãra Zimes, there is presence of a more ethnic color, and the organization of the textile stamp comes from the structure of a bedspread made of fabric patches. Finally, the line Saule is the only one which presents a textile pattern design with winding lines, differently from the others.