A utilização de elementos sinestésicos na construção do curta-metragem "Sangria" em Super 8

Abstract

This project aims to understand the concept of synesthesia applied in the audiovisual environment. And, through the analog process, and the other elements that make up the cinema, to make a short film, of an experimental character. As a theoretical basis, we used the neurological concept of synesthesia (BARON-COHEN AND HARRISON, 1997) and its socio-cognitive and behavioral approach (NEUFELD, 2011), for non-kinesthetics, which connects with the Gestalt theory (GOMES SON, 2000). From this, the relationship between the gestalt postulates and their relationship between cinema was developed. In addition, the link between color (FARINA, 2003) and its evocations with other senses such as touch, taste and hearing is also explored. On the other hand, from the perspective of cinema, the basic precepts that form cinematography (BROWN, 2012) are brought, as well as the perspective of film, especially super 8, as an option for audiovisual production. The experimental project is composed of the traditional stages of pre-production, production and post-production, in a way that all were carried out for the synesthetic purpose. The realization of the final product provided new knowledge about the analog process, in addition to a complete contact with all the stages of a short film.