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Três estudos de concerto para violão de Radamés Gnattali: uma análise interpretativa através das diretrizes de Jan Larue
(Universidade Federal de Santa Maria, 2019-12-13)
The present research approaches the 3 Concert Studies for Guitar by Radamés Gnattali (19061988), namely Toccata em Ritmo de Samba n.1, Dansa Brasileira e Toccata em Ritmo de Samba n.2, composed, respectively, in 1950, 1958 ...
Tempo e dinâmica na Usher Waltz do violonistacompositor Nikita Koshkin: um estudo comparativo entre gravações
(Universidade Federal de Santa Maria, 2019-12-12)
This research consists of an investigation of the work Usher Waltz, written in 1984 by the
guitarist-composer Nikita Koshkin (1956) and published in 1989 (Editions Orphée) and 1993
(Edition Margaux). The work was inspired ...
A Sonata Vox Gabrieli de Stjepan Šulek: uma análise comparativa entre as interpretações de Joseph Alessi e Alain Trudel
(Universidade Federal de Santa Maria, 2019-12-12)
The present work makes a comparative analysis between two interpretations of Sonata Vox Gabrieli, composed by Stjepan Šulek (1914-1986) in 1973 for trombone and piano. The
interpretations of trombonists Joseph Alessi and ...
Uma experiência de aprendizagem autodirigida coletiva com as lições workshops da revista Guitar Player
(Universidade Federal de Santa Maria, 2019-12-13)
This work aims to explore the musical contents of the Workshop columns of the North
American magazine Guitar Player, from 1990-1995, when the magazine was the most
significant reference for guitarists looking for information ...
Caminhos para o desenvolvimento da expressividade na iniciação ao piano: processos de ensino-aprendizagem e avaliação da performance no contexto de uma escola de música
(Universidade Federal de Santa Maria, 2020-09-30)
This research study was conducted within a theoretical and practical framework and describes a case study in the context of a music and arts school in the interior of the State of Rio Grande do Sul (Brazil) which also ...
Sonatina nº1 para clarineta e piano de Dimas Artur: relação entre intérprete e compositor
(Universidade Federal de Santa Maria, 2020-10-01)
Interpreter-composer relationships have arisen throughout the history of the clarinet, such as
Wolfgang Mozart and Anton Stadler, Karl Stamitz and Joseph Beer, Johannes Brahms and
Richard Muhlfeld, Carl Maria von Weber ...
O processo de edição crítica na obra Sonatina para violão solo de Marcelo de Camargo Fernandes
(Universidade Federal de Santa Maria, 2020-10-05)
The present academic paper presents the process used to carry out the critical edition of the oeuvre Sonatina composed by Marcelo de Camargo Fernandes and awarded in 1978 on the 2nd National Guitar Composition Competition ...
Contextos do violão missioneiro a partir de transcrições musicais de Noel Guarany
(Universidade Federal de Santa Maria, 2019-12-13)
This research was conducted along the course Specialization in Music of the XX and XXI Century: Performance and Pedagogy (UFSM). Its main theme is Missionary Musicality. The object of study consists of the musical work of ...
Uma compositora dos séculos XX e XXI: Kilza Setti e suas obras para fagote
(Universidade Federal de Santa Maria, 2020-10-02)
This paper is part of the line of research Musical Performance of the Specialization
Course in Music: Music of the 20th and 21st centuries – Performance and Pedagogy at the
Federal University of Santa Maria, and it ...
Exercícios para flauta transversal fundamentados em obras do repertório da primeira metade do século XX
(Universidade Federal de Santa Maria, 2022-02-22)
Drew on the technical roots required for the execution of the traditional flute repertoire (sound, articulation and digital technique and style), which are found in the historical methods for this instrument, a series of ...